In May, Cannes went weak at the knees for Harry Lighton’s tale of BDSM and bootlicking in suburbia. Ahead of its release, the director and his stars reveal the explicit shots snipped from the final cut and discuss why Pride has become too sanitised

Harry Melling knows the secret to being a good boot-licker. “You want to give a decent, satisfying, sexy lick,” says the 36-year-old actor, who has the umlaut eyes and nasal tones of Nicholas Lyndhurst. “Once you get to the toe-cap, you need to make sure they can really feel your tongue through the leather.”

Melling, barely recognisable from his childhood role as wretched Dudley Dursley in the Harry Potter films, learned this new skill while preparing for the award-winning BDSM romcom Pillion. He plays Colin, a timid traffic warden who becomes the willing submissive to a taciturn biker named Ray. Listening intently to Melling’s boot-licking tips in this London hotel room are his Pillion partners-in-kink: Harry Lighton, the film’s 33-year-old writer-director, whose flat cap and smirk lend him a roguish look, and Alexander Skarsgård, 49, who plays Ray, and is dressed today in a slobby ensemble – red sweatshirt, blue tracksuit bottoms, black shoes – that fails to spoil his pin-up prettiness.

It is uncomfortable to watch royals appealing to the nation’s best instincts while an elected government feels compelled to chase our worst

Every child has the right to feel safe, loved and as if they belong.

Put like that, there is nothing remotely radical about what the Princess of Wales used her first public speech since recovering from cancer to say: that families need consistently nurturing environments to flourish; that the world could actually use a bit more tenderness; that we are all responsible for the culture in which future generations grow up; and that (as she told an audience of blue-chip employers) caring for others is work deserving of respect. It’s the reasons why those motherhood-and-apple-pie values don’t always prevail in real life, rather than the values themselves, that are generally too contentious for the carefully apolitical royals. Yet what were once safe, bland nothings are increasingly no longer so – and not just because of the awkward shadow now cast over any royal initiative involving childhood by the former prince Andrew’s infamous association with the sex trafficker Jeffrey Epstein.

Gaby Hinsliff is a Guardian columnist

I guessed it would be worth a couple of hundred pounds at most, but it was a preparatory print for his famous 1639 etching The Goldweigher

My father died 20 years ago, when I was 26, and my mother died 10 years later. I’ve always felt grateful that one of the things they passed on to me was a love of art. My dad, Alan Barlow, was a stage designer, a Benedictine monk and then, after marrying my mother, Grace – who was a GP – he became a full-time artist.

In his studio in Norfolk, there were two big Victorian plan chests, where he stored paper and sketches he had created. He was also an art collector and some of the drawers contained artworks he had bought but didn’t have wall space for. For a long time, I didn’t feel ready to go through everything in his studio. I always felt connected to him when I went in there.

All the bleak tenderness from the musician’s novel makes it into this heartbreaking screen adaptation of a father-and-son road trip where the dad relentlessly pursues sex. It will undo you

The travelling salesman used to be a stock figure – a centrepiece for jokes about man’s priapism, the untameable wanderlust of the peen once free of its domestic shackles. The Death of Bunny Munro, adapted from Nick Cave’s 2009 book of the same name by Pete Jackson and keeping all its bleak tenderness and unforgiving brutality, gives us the tragedy that lies the other side of any comic character worth its salt.

Cosmetics salesman Bunny (Matt Smith, a brilliant and still underrated actor, plus the best Doctor of modern times, please send an SAE for my monograph on this subject) is out on the road, sampling another young lady’s wares, when we meet him. His wife, Libby (Sarah Greene, perfectly cast as a fierce, loving woman broken by depression and her husband’s choices) calls him. He dismisses her and returns to his sampling. When he returns the next day he finds that she has killed herself. They have a nine-year-old son, Bunny Jr, played by Rafael Mathé, who gives an absolutely wonderful, heartbreaking performance, treading the thinnest of lines between knowing everything and nothing about his father and about his own likely future. At first, Bunny Sr tries to palm him off on Libby’s mother (Lindsay Duncan), who, in a harrowing post-funeral scene, refuses. But when social services arrive to take the boy into care, Bunny’s pride or conscience is pricked. The pair light out of the window and head off on a road trip along the south coast, and a father-son bonding experience. Traditionally, these are good things. But Cave is not a traditional writer and this is not a traditional tale.

Irish indie acts used to be ignored, even on Irish radio. But songs confronting the Troubles, poverty and oppression are now going global – and changing how Ireland sees itself

On a hot Saturday afternoon at Glastonbury, while many are nursing halfway-point hangovers, the Dublin garage punk quartet Sprints whip up a jubilant mosh pit with their charged tune Descartes, Irish tricolour flags bobbing above them. As summer speeds on, at Japan’s Fuji rock festival, new songs from Galway indie act NewDad enrapture the crowd. Travy, a Nigerian-born and Tallaght-raised rapper, crafts a mixtape inflected with his Dublin lilt, the follow-up to the first Irish rap album to top the Irish charts. Efé transcends Dublin bedroom pop to get signed by US label Fader, and on Later … With Jools Holland, George Houston performs the haunting Lilith – a tribute to political protest singers everywhere – in a distinctive Donegal accent.

From Melbourne to Mexico City, concertgoers continue to scream to that opening loop on strings of Fontaines DC’s Starburster, and CMAT’s viral “woke macarena” dance to her hit single Take a Sexy Picture of Me plays out in festival pits and on TikTok. You might have heard about Kneecap, too.

Former pupils at Dulwich College have made shocking claims about the Reform leader’s behaviour at school – which he denies. Daniel Boffey reports

Peter Ettedgui is a well-known film-maker. But 40 years ago he was a nervous boy starting out at Dulwich College in South London. “I was 13. I’d come from a fairly small school into this slightly intimidating, kind of gothic structure. That was huge.”

He loved performing and soon found his niche in drama, he told Annie Kelly. But one boy shocked him: Nigel Farage. “Once he found out I was Jewish, you know, that was it,” Peter says. “I have this incredibly clear memory of him persistently heckling and hectoring me as a Jew.

Prime minister says Reform UK leader has ‘questions to answer’ about alleged comments at school which included songs about Holocaust

Keir Starmer has accused Nigel Farage of being “spineless” when it comes to tackling racism in his party after the Guardian revealed allegations he made xenophobic and antisemitic comments while he was at school.

The prime minister said the Reform UK leader had “questions to answer” about the comments and chants alleged, which included songs about the Holocaust and accusations of bullying towards ethnic minority schoolboys.

Report on handling of pandemic contains stinging criticism of ‘toxic and chaotic’ culture inside Boris Johnson’s No 10

• ‘Chaotic and indecisive’: key findings of report on UK’s Covid response under Tories

• Dominic Cummings ‘poisoned the atmosphere’ of Boris Johnson’s No 10, Covid inquiry finds

The UK’s response to Covid was “too little, too late”, a damning official report on the handling of the pandemic has concluded, saying the introduction of a lockdown even a week earlier than happened could have saved more than 20,000 lives.

The document also has stinging criticism of a “toxic and chaotic” culture inside Boris Johnson’s Downing Street – which it said the then prime minister actively embraced.

Ukrainian president’s office issues statement after other officials condemn ‘absurd’ plan to end conflict

Volodymyr Zelenskyy has said he will negotiate with Donald Trump on a US-backed peace plan that called on Ukraine to make painful concessions in order to end the Kremlin’s invasion of his country.

The president’s office on Thursday confirmed he had received the draft peace plan, which was prepared by US and Russian officials, and that he would speak to Trump in the coming days about “existing diplomatic opportunities and the main points that are necessary for peace”.

Rolling coverage of the latest economic and financial news

Shares are falling faster than wickets in Perth at the start of trading in London, as fears of an AI bubble rip through markets again.

Following losses on Wall Street last night, the FTSE 100 share index has dropped by 104 points, or just over 1%, at the start of trading to 9423 points. That’s a one-month low.

it’s been a truly remarkable 24 hours, with a sequence of moves that were almost impossible to predict….

After the world’s largest company reported spectacular results, the stock was up around +5% by 3pm London time. It closed down -3.15%. The broader market followed a similar pattern: the S&P 500 initially climbed +1.93%, only to fade and close down -1.56% as doubts about AI valuations crept back in. That marked the biggest intra-day swing for the S&P since the six days of extreme market turmoil that followed the Liberation Day tariffs in early April. Adding to the negative backdrop for crypto were lingering questions over the crypto market structure bill that’s being worked on in Congress.